On one hand, you have high-art, niche films like Nanpakal Nerathu Mayakkam (2022) or Aattam (2023) that are lauded for their layered critique of caste and gender. On the other, a wave of violent, hyper-masculine "mass" films (often starring younger stars) tries to mimic the pan-Indian success of Telugu or Tamil cinema. These films often sit uneasily with Kerala’s cultured, secular, and intellectual self-image.
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Some notable figures in Malayalam cinema include: On one hand, you have high-art, niche films
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